Thursday 17 May 2018

Village Bookstore

Village is an independent bookshop and gallery based in Leeds, UK. We offer a curated selection of contemporary art, design, fashion and photography books and magazines. We also source self-published and small press zines from artists around the world.

The talk really inspired me to want to explore editorial/zine layout and publications as before it intimidated me, since this talk I have collaborated twice to create look books. 


Village Talk led by Ben Holmes

About Village: They started in the Corn Exchange near the end of 2012, with the aim to create a space in which independent and exciting publications would be easily accessible to the public. The publications would come from around the world whilst also focusing on bringing artists/publications in Leeds into the spotlight. With doing this they wanted to create a permanent creative community in Leeds. Another perk of Village is the incorporated non-profit gallery space, giving opportunity for emerging creatives to gain exposure. 

What is a zine? A simple staple bound publication, anything which is independently published could fit under the umbrella term. 

Why should you self publish? 
  • creating something permanent
  • making a book you've got a passion for whilst showcasing your skills as a designer
  • age of internet makes it a lot easier to get your work out however as this is what everyone is doing, it is harder to be noticed
  • allows the opportunity to collaborate
What do Village look for?
  • they specialise in photography books
  • an object created in which each element says something about the content
Speaking of the concept of a book:
  • the concept is the foundation of any book
  • is the concept obvious?
  • it should be more than its content, it should have a purpose
  • the format of a book is important and can communicate a lot to a potential buyer
  • format should drive idea
Speaking of the design of a book:
  • how the work can be perceived through design
  • layout, how content is presented on the page
  • printing method must fit the book, as can change how the book is percived
  • paper stock can change throughout the book
Speaking of binding:
  • there are multiple binding methods, think about how time consuming and cost effective they are
  • a book doesn't necessarily have to be bound
  • details: spot varnishing, foiling, embossing
  • must fit the content/concept
  • not just a gimmick
Commercial considerations:
  • price tag
  • exposure is just as valuable as sales 
  • the book is a product, how will it look on the shelf and next to other books




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